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日志


6月29日

秋冬广告来了,赞啊!~~

 
 
看看看看看
 
 

都是转来的,嘿嘿!

Burberry-Agyness Deyn,Lily Donaldson,Kiera G,Morwenna C,Georgia Frost

Ph:Mario Sorrenti

 

~个人觉得不够精彩~

 

 

 

 

KATE MOSS够红,虽然我从来没有喜欢过她~我觉得她和王菲一样,是集体无意识的偶像崇拜~ Roberto Cavalli-Kate Moss&Pete Doherty

 

 

Longchamp-Kate Moss Ph:Mario Sorrenti

 

 

Gisele总上看上去很老的样子~为啥米呢?

Aquascutum-Gisele Bundchen,Jamie Dornan Ph:Mario Sorrenti

 

 

好棒哦好棒哦!Jill Stuart和Lindsay! 感觉比MIU-MIU好.

 Jill Stuart-Lindsay Lohan Ph:Mario Sorrenti

 

 

我稀饭的STELLA,但是这次有点看不懂的说~HOHO~

Stella McCartney-Amber Valletta Ph:Ines&Vinoodh

 

老气的TOD'S,Sienna Miller有什么好看呢?

Tod's-Sienna Miller Ph:Mikael Jansson

 

以下是难看的Dior-Jessica Stam Ph:Craig McDean

难看死我了

 

~ 好象德纳芙在白昼美人里~

Louis Vuitton-Scarlett Johansson Ph:Mert Alas and Marcus Piggott

 

大牌啊大牌

Gucci-Natasha Poly Ph:Mert Alas and Marcus Piggot

好看啊好看的CK

Calvin Klein Jeans-Lara Stone,Jamie Burke Ph: David Sims

好看啊~

Bottega Veneta-Anja,Inguna,Kim,Noah Ph:Anne Leibovitz

 

DKNY-Jessica Stam Ph:Regan Cameron

 

 

感觉没什么大长进的Chloe

Chloe-Anja Rubik,Shalom Harlow,Freja Beha Ph:Ines and Vinoodh

3月24日

MUSE

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Audrey Hepburn by Hubert de Givenchy

  
I've had two great privileges in my life. To have known and been the friend of two people of outstanding talent: Cristobal Balenciaga and Audrey Hepburn. Each of them gave me something exceptional that l carry with me today. Thinking of Audrey I remember the extraordinary bond that existed between us. She was capable of enhancing alI my creations. And often ideas would come to me when I had her on my mind. She always knew what she wanted and what she was aiming for. It was like that from the very start.
I was busy working on my new collection the first time she turned up unexpectedly at my Paris atelier. 

On being told that Miss Hepburn had arrived I immediately presumed it was Katherine Hepburn, whom I adored. Hurrying to greet her, I found myself confronted with a young woman dressed as a gondolier. I was 

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totally astonished. I was even more astonished, however, when she asked me to create clothes for her next film, Sabrina. Unfortunately I was too busy to do so. But her charming manner had won me over and I suggested she choose some garments from my collection. Audrey confessed she had fallen in love with my clothes when she was in France shooting Monte Carlo Baby (Nous irons à Monte Carlo), but at the time had been unable to make any purchases. Now Billy Wilder was giving her the chance to supplement Edith Head's costumes with real clothes. And she wanted to use exclusively mine.

After Sabrina, Audrey requested my clothes for all her films with a contemporary setting.
Which is how I came to design the outfits she wore in Funny Face, Love in the Afternoon, Breakfast at Tiffany's, Charade, Paris when it Sizzles and How to steal a Million.

One thing that struck me about her, apart from her charm and elegance, was her ability to make herself loved and admired by women as well as men. Her image was unique. This is something that other great actresses have been unable to create for themselves.

Audrey was a very precise person and a consummate professional. She was never late and she never threw tantrums. Unlike many of her illustrious colleagues, she did not behave like a spoilt star. She knew exactly how to shape her strong, independent image. This naturally extended to the way she dressed. And she always took the clothes created for her one step further by adding something of her own, some small personal detail which enhanced the whole. But it wasn't only elegance that she enhanced. She heightened the impact of the entire design.

For both of us creating things this way was a game that we loved. Our ideas sparked each other off. When l asked if I could use her face to publicize my perfume she agreed at once.At that time it was unusual for a celebrated actress to appear in an advertisement. But Audrey was perfect, also because she was the inspiration for the perfume, which I'd dedicated to her. I called it Interdit (For You Alone). The perfume and its bottle have remained unaltered to this day. Truly interdit to all change.

Today Audrey would have been 70. And to me it's as if she's still here. lt feels as though she's embarked on a long journey from which she will one day return. Because Audrey's a person of infinite interest, one can never tire of talking about her. What I do miss, however, are her phone calls which used to come out of the blue. Even during her last years, when she travelled extensively in her capacity as an ambassador of Unicef, I often received one of her surprise calls. Sometimes it was just to say, "Thank you, Hubert. I love you".


Hubert de Givenchy

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Tilda Swinton

Birth name
Katherine Matilda Swinton
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Nickname
Swilda
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Height
5' 11" (1.80 m)
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Mini biography
The iconoclastic gifts of the visually striking and enigmatic actress Tilda Swinton, who was born on November 5th, 1960, in London, have been appreciated by a more international audience of late. Born into a patrician Scottish military family, she was educated in an English boarding school that also housed then-known Lady Diana Spencer. Tilda subsequently studied at Cambridge University, and graduated in 1983 with a degree in Social and Political Science/English Literature. She switched to theatre, however, and became a student of the Royal Shakespeare Company. A decided rebel when it came to the arts, she left abruptly after a year as her approach shifted dramatically. With a taste for the unique and bizarre, she found some genuinely interesting gender-bending roles come her way, such as the composer Mozart in Pushkin's "Mozart and Salieri," and as a working class woman impersonating her dead husband during World War II, in Karges' "Man to Man." Tilda would commit the latter role to film in 1991. In 1985 the pale-skinned, carrot-topped actress began a professional association with director/mentor Derek Jarman. This quirky alliance would produce such stark turns in Caravaggio (1986), Aria (1987), The Last of England (1988), The Garden (1990/I) Edward II (1991), and Wittgenstein (1993), while feeding this voracity for playing the unique and unusual. Tilda provided a voice in his final film, an inventive documentary entitled Blue (1993/I), which used only a blue screen and interweaving vocal soundtrack to drive home its themes of dying and death. Jarman succumbed to complications from AIDS shortly after its completion. His untimely demise left a devastating void in Tilda's life for quite some time. Ironically, her most notable film role may come from a non-Jarman film. For the title role in the Sally Potter-directed stunner Orlando (1992), her nobleman character actually lives for 400 years while changing sex from man to woman. Over the years she has preferred to sacrifice celebrity for art, opening herself to experimental projects with new and untried directors and mediums. Consistently off-centered roles in Female Perversions (1996), Conceiving Ada (1997), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), and Possible Worlds (2000) have only added to her mystique. Hollywood too has picked up on this notoriety, but not nearly as well. With the exception of the thriller The Deep End (2001), which earned her a number of critic's awards, such mainstream U.S. pictures as The Beach (2000) with Leonardo DiCaprio, Vanilla Sky (2001) starring Tom Cruise and the Keanu Reeves horror epic Constantine (2005) have tended to undermine her seemingly boundless abilities.


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Spouse
John Byrne (? - present) 2 children

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Trivia
Appeared in the music video for Orbital's "The Box" (circa 1997)

Lives an hour north of Inverness in Scotland, with her husband, John Byrne and their 2 children, Xavier and Honor.

Mother is Australian.

Has three brothers.

Daughter of Major-General Sir John Swinton, whose ancestral home has been within the family since the 9th century.

Went to school with Princess Diana.

Functions as the muse and mascot of Dutch haute-couture fashion designers Viktor and Rolf.

Her family is one of the oldest in Scotland.

Has played two male characters, an Elizabethan nobleman in Orlando (1992) and the angel Gabriel in Constantine (2005). Actually, the Angel Gabriel was not male in Constantine (2005). Gabriel is androgynous.

Her partner, John Byrne, is an artist.

Her most well known videoart installation/performance piece is "The Maybe", in which she slept in a glass case for 8 hours a day at the Serpentine gallery in London. She also appeared in Orbital's music video for "The Box", shown on MTV and other music video channels.

She dabbled in classic stage productions such as "A Midsummer Night's Dream," "The Duchess of Malfi" and "The Comedy of Errors" before entertaining her passion for the decidedly weird.

Won the Venice Film Festival award for "Edward II."

Member of the jury at the Cannes Film Festival in 2004

Graduated from Cambridge University with a degree in social and political science/English literature (1983)

Member of the jury at the Berlin International Film Festival 1988

She went to West Heath, a girls' boarding school.

Her father was a major-general and former head of the Queen's Household Division.

Lived in Germany when she was a child because her father was posted there.

Read English at Cambridge.

Children are twins Xavier and Honor.

Spent two years in South Africa and Kenya as a voluntary worker in children's schools.

On her days off from The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, she could be seen on-set, offering encouragement to her young co-stars.


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Personal quotes
"The other day, I was going through the airport security and I was searched by a male security guard. I'm very often referred to as "Sir" in elevators and such. I think it has to do with being this tall and not wearing much lipstick. I think people just can't imagine I'd be a woman if I look like this."

I'm basically interested in identity, and I still find fascinating the question, "How do we identify ourselves, and how do we settle into other people's expectations for our identity?"

There is something insane about a lack of doubt. Doubt, to me anyway, is what makes you human, and without doubt even the righteous lose their grip not only on reality but also on their humanity.

True, there is all sorts of religious extremism all over the place, but the reason for this partly has to do with the fascist attitudes and language of absolutism coming from Washington. It's challenging for people outside of America that Bush was re-elected. It means we're all going to have to work a lot harder to understand what so many more Americans than we thought really want. It's an identity shift in our minds about America and maybe for many Americans as well.

" I don't work the future - I don't want to know what's coming. I don't feel I need any guarantees."

"There's such an effort to try and explain people."

"I sometimes think I was always left-wing. I know that sounds completely crazy, but I do know that I asked questions when I was about four, and I remember noticing that I wasn't getting an answer, and I remember it annoying me. Like why when we went to church on Sunday were we sitting upstairs and the people we'd been playing with the day before were sitting downstairs. And I noticed that my brothers were not asking these questions. I was aware that I was being embarrassing."

"You're always playing yourself. It's all autobiography, whatever you're doing. It's using them as a kind of prism through which to throw something real about yourself, or something relaxed at least. Because the last thing you want is to look like you're acting."

"I think I enjoy my work now even more simply because it's even easier than it was. It sounds sacrilegious to say that anything's a delight when you're away from your children, but the truth is that it is refreshing to only have yourself to dress in the morning, and to lie diagonally across the bed. Making films, going round the world on tour - all these crazy things that were so difficult before are so much easier than breastfeeding twins for 14 months that frankly it is a delight."

 

3月19日

ANNA SUI额新衣服

毒毒刚ANNA SUI额衣服好看,各么我们来看新衣服.花头真额老好看额,8过巨色特了,啊拉还是买买化妆品算了,ANNA SUI额化妆品老灵额呀~
 
 
以下图片转自时尚论坛http://bbs.trendsmag.com/
 
 
 
 
迭只花头老灵额~~
 
 
哪能介嫩额啦~
 
 
我这一季最稀饭黑颜色~
 
 
 
 
 
眼镜很ANNA SUI 额~
 
 
 
FIN~
3月2日

MOSCHINO 又来了!哈哈!

 
 
 
LOLITA眼镜!!偶不敢戴,怎么办?可爱啊~HOHO~
 
 
 
有没有CHANEL的感觉?
 
 
 
太好看了!!!
 
 
经典!!
 
 
2月24日

2006 spring / summer collections (MILAN)

看到了,就抓到自己的SPACE上来,这叫抓进碗里的就是菜~
 
 
ALESSANDRO DELL'ACQUA
 
我很喜欢复古风,红唇啊红唇,今年8是又流行裸妆了嘛?不过有资格上红唇的女人还是很了不起啊,多数人上了会很可怕.
 
 
 
喜欢啊~漂亮的颜色!
 
 
 
ANNA MOLINARI
 
SWING的年代,呵呵~
 
 
赞!!
 
 
哦,哦,喷血了!
 
 
 
BELSTAFF
 
 
中性风格,又复古又性感,高高瘦瘦最适合.
 
 
深色头发更性感啊!
 
 
哦,哦!男人穿这样,可以的!
 
 
惊艳的!
 
 
女特务~卡卡~
 
 
BLUMARINE
 
 
 
 
哦,好美的紫色。
 
 
 
BURBERRY PRORSUM
 
最近开始喜欢这个牌子~奇怪了.
亮缎蝴蝶结来了,大家可以去扯一尺玩.
 
 
 
 
2月23日

2006 spring/summer collections(PARIS)

 
养眼的夏天快到了,嘿嘿!
 
 
Nina Ricci
海军风和蝴蝶结,灰常灰常赞~
 
 
Tsumori Chisato
 
陌生的牌子,但是风格非常和我的心意!
 
查了一下,原来是个日本人的牌子,设计师是女性。哎~日本人~~
以下为转:
 
      日本年轻名牌Tsumori Chisato出奇地有一个容易上口的名字,百分百与其宣扬简单易衬的穿衣哲学异常合衬。相对起其它国际级大师的高层次时装魔力,津森千里的设计理念的确直接了当。她一直只依循自己的概念就是将自己最喜欢穿上身体的衣服与大家一起分享。

  作为一个女性这个身分给予她较多的创作灵感。生长于五十年代初期的Tsumori分别于日本国内多个时装比赛包括Kanebo Japan Award、So en Awards Maihichi,Fashion New Star Awards之中获奖。七六年自专门出产时装猛人的文化服装学院毕业后,翌年旋即成为三宅一生的助手。设计风格多少秉承了issey的简洁配搭及线条的Tsumori,头号人气设计crepe colliction就是例证之一。直至九零年Tsumori终于以个人名义开始建立自己的牌子并在东京进行每年两次的时装发布会。与Yohii Yamamoto、Comme des Garcons成为邻居跃升成为国际新进名牌。Tsumori自言心境年青,现年四十多岁的她童心未泯。Tsumori受欢迎的原因可能是因为她的性格并不如其他人那般冷酷无情内里蕴藏的一份热情,相信是令她的设计变得可爱的因素。

 

 
Valentino
 
中国风,普通人穿肯定不好看.
 
 
还是复古风赞,丽塔·海华丝的感觉。
 
 
YSL Rive Gauche
 
优雅。
 
 
Chanel
 
我是不是老了?越来越觉得CHANEL好看了。不过他们也走年轻化路线了。
 
 
Elie Saab
 
礼服,好看额,一辈子也不会穿。
 
 
Giambattista Valli
 
这件上镜率很高。
 
 
Emanuel Ungaro

 

 
Hermes
 
《情人》的感觉来了!嘿嘿!偶想试试尼罗河香水。
 
 
橙色可以这么优雅的以刚。
 
 
Jean Paul Gaultier
 
不是很喜欢,不过满有观赏性的。
 
 
 
Kenzo
 
 
2月17日

FASHION TALK:三月VOGUE

   这张是法国版啦,嘿嘿.国内那版是GEMMA WARD一个人的封面.
 
    感觉春天就在眼前啦,所以杂志也变得好看了!HOHO!看看也开心!
    这期送了面镜子.VOGUE送的东西都不错的,不是说有多好,起码是用点脑子,有点想法做出来的,虽然说杂志送东西还是实用点比较好,但是有自己的风格更好呢,至少我觉得VOGUE是做得比较有品的.同样这期的ELLE也送了个挺漂亮的东西——绣花包包。不知道有什么用,反正我觉得挺好看(最近品位有点奇怪)。
    看在JOY好奇中带这贪婪的目光,老公发令两本一道带回家。HOHO!
    ELLE我就不谈了,内容永远是SOSO。
   
    3月的VOGUE内容满丰富的。(一般能让JOY翻看三天以上的杂志都算内容很丰富的。日系的MINA和欧系的VOGUE都是这一类的。港系的看看上海做的TOUCH就可以了,其他都是看了也白看,港系杂志就是天下一大抄,挑本便宜的看看就可以了。)
    这个春天老复古的,什么都回来了,新一季的时尚简直就是在炒冷饭。不过这个冷饭还满有魅力的,比如说裸妆、白衬衫、厚底鞋、蕾丝,什么都回来了,大家去坑坑看衣橱,一定有可以穿的。呵呵~
    这期杂志最有趣的就是麻豆专题啦!最近红得发紫的GEMMA WARD写了超长的日记,终于让我们相信麻豆的生活跟军训差不多。最近流行这种娃娃系的麻豆,都是童工啊!这个行业真是有点畸形。VOGUE力捧的中国麻豆杜鹃(就是上图右边那个),算是在西方走红的中国麻豆里长得不错的。西方人喜欢的东方麻豆都一个样子,他们自己也分不清谁是谁吧?真是无聊,中国麻豆还是没什么性格,只能当当衣架子,当不了缪斯女神。
    VOGUE的照片拍得最好看了,全部想撕下来糊墙!(怪癖!)西西~~~FASHION是集体无意识吧。